"Like looking out of window"

Story Behind the Shot

Capturing this iconic 400-year-old tree was no ordinary feat — strict rules and unusual restrictions made the process as challenging as it was rewarding.

The Angel Oak tree, estimated to be over 400 years old, is one of the most iconic and majestic living organisms in the southeastern United States. Located just outside Charleston, South Carolina, its sprawling limbs and gravity-defying arches stretch across more than 17,000 square feet — a natural cathedral carved by time.

Photographing it, however, is far from simple. The site is governed by rules that verge on the absurd — tripods are completely prohibited, making it virtually impossible to capture the tree in any true high resolution. Even monopods and sitting on the ground are banned.

To overcome this, I modified my panoramic Gigapan robot to rest on a small plank of wood, which I manually stabilized throughout the shoot. It was a delicate and awkward balancing act — one that demanded repeated reshoots. Near the very end of the session, an official finally approached and informed me that even lying on the ground — as I was doing to get the final angle — was not allowed.

Thankfully, by that point, I had just captured the final frames.

What makes this piece even more exceptional is the rarity of such a high-resolution capture under such restrictive conditions. The final image is composed at an astonishing 324 megapixels, allowing for immense detail and extraordinary clarity even at the largest display sizes. This level of resolution invites the viewer to step closer and become immersed in the intricate structure and texture of the Angel Oak’s branches and bark.

Collectors can choose between two stunning mounting options: a Chromaluxe metal print for a modern, vivid finish with outstanding durability, or face mounting to acrylic — a gallery-level presentation that offers depth, richness, and a frameless, window-like presence on the wall. Read more about the benefits of acrylic mounting here.

Shot exclusively using a modified Gigapan Epic Pro robotic, panoramic camera mount that takes the final image as a series of tiles, stitched together to create an extremely high resolution capture.

View Mounting Options

Canvas Mount - Budget
Canvas Mount
Premium Fine Art Print printed directly onto canvas material. The print is then wrapped around an artist's stretcher frame, and finished with a hanging wire at the back. The edges are a mirror of the main image






Contact us for
custom sizes not shown
Direct Metal Print - Good
Metal Mount
Printed directly to aluminum sheet using a heat infused dye sublimation process which results in stunning, vibrant colors. Overall excellent more budget friendly choice for the float mounted contemporary glass look.







Contact us for
custom sizes not shown
Acrylic Mount - Best
Acrylic Mount
The ultimate in contemporary polished glass look. Printed to a fine art metallic photographic paper resulting in exceptional clarity, vibrancy and detailed together with shimmering reflective colors. Ready to Hang.








Contact us for
custom sizes not shown

* Limited Edition
Fine Art Metallic Print - Frame yourself


Acrylic Mount
Printed at 610dpi for more than 4x the resolution of standard Photo Prints and features a glossy finish and metallic appearance that creates images with exceptional visual interest and depth. Supplied rolled up in a tube and ready to be mounted and framed.






Contact us for
custom sizes not shown

Explore Other Views

Close-up 1

In Room View

Close-up 2

Close-up View

Beautifully Detailed

Need Help Choosing?

About the Artist

Phil Crawshay is a fine art photographer known for his ultra-high-resolution panoramic works that capture the world with an obsessive level of detail. With a background in technical precision and an uncompromising eye for composition, his pieces are not simply photographs — they are immersive experiences. Each image is the result of painstaking setup, often involving custom-modified equipment and repeated reshoots under tightly controlled natural lighting. From battling restrictive site rules to stabilizing robotic panoramic mounts by hand, Phil’s process is as relentless as it is deliberate. His signature approach reveals scenes that feel less like framed pictures and more like portals — drawing viewers in with clarity so intense, it borders on the surreal. His work is installed in private homes, commercial spaces, and boutique hospitality environments around the world, offering collectors the chance to own large-format photographic pieces that are both technically masterful and emotionally resonant.

View the complete Portfolio




(c) 2025 Crawshay Gallery / Number 6 Consulting LLC / Phil Crawshay, All rights reserved.

The Crawshay Gallery of Fine Art, Large Format Photography

Store Policies / Shipping & Returns